What People Write
ARTICLES AND INTERVIEWS
Kein Vergehen aus Versehen. Uber Bilder, die bei Stop-Motion-Animationen auf der Strecke bleiben by Inge Hinterwaldner, 2016
Two Sisters
, Ottawa ’92 winner, essay by Kelly Gallagher, 2016
Canada Cuadro a Cuadro: Animadores y Animadoras del National Film Board, Irene Blei, Wolkowicz Editores, 2014
Animation in an Afternoon, contributing ‘how to’ article on direct animation, Westminster University, London, 2013
Charles Solomon reviews
The Animation Show of Shows
for OFF-RAMP, 89.3 KPCC Southern California Radio 2013
Simultaneous Narration and Ethical
Positioning in Three Short Animated Films,
Mary Slowik, Ohio State University Press, NARRATIVE Vol 21, No1, Jan 2013
Diegetic Short Circuits: Metalepsis in Animation by Erwin Feyersinger Animation: an interdisciplinary Journal, 2010
Le Cinéma de Caroline Leaf Grandeur et humanisme by Jean-Francois Hamel Cine-Bulles, volume 28, numéro 1, hiver 2010
Interview with Caroline Leaf discussing her studio work with Sharon Katz, Ambling Around,
Caroline Leaf: A Serious Game,
Animation World
Network, 2010
The Problem of Adaptation Solved!
Lessons Learned From a Study of Caroline Leaf’s
The Metamorphosis of Mr. Samsa,
Geoffrey Beatty, 2010
Caroline Leaf Overview,
Marc Glassman, National Film Board of Canada website
Re-Animating Space,
Aylish Wood, Animation: an Interdisciplinary Journal,
November issue 2006
An Interview with Caroline Leaf in English,
Midhat ‘Ajan’ Ajanovic
Caroline Leaf
– Goteborg International Film Festival 2010
Entretien Caroline Leaf Je n’aime pas le contes de fees by Jean-Pierre Pagliano, Positif- Revue mensuelle de cinema, Jun 2003
Caroline Leaf
– An Interview,
Nag Vladermersky, Senses of Cinema, 2003
Croatian Film Chronicle #31-32, interview by Ajan Ajanovic Zagreb, December, 2002
Oscar Nominee Brings Animation Experience to Harvard,
Harvard Crimson, Nanaho Sawano, 1997
Caroline Leaf, 1996 Life Achievement Award,
Erik Roberts, published by 12th World Festival of Animated Films.
ASIFA Canada, vol. 19, No 2, January, 1992
Caroline Leaf compiled by Donald McWilliams.
Comments by George Griffin, Derek Lamb, Pierre Hebert, Frederick Back
Los Angeles Times: Animation Review:
Canadian Animation is Still the Big Draw,
Charles Solomon, 1992
Caroline Leaf Retours sur un cinema ludique by Nicole Gingras, 24 images Numéro 43, été 1989
World Union of Jewish Studies
A Child’s Perception of Death and it’s Ritual Caroline Leaf’s film adaptation of Mordecai Richler’s The Street by Thelma Schenkel 1985
Banc-Titre, Le Magazine du Cinema Graphique et du Film D'Animation, #48, February, 1985
NFB/Japan laser-disc interview with Leaf 1985
Femmes et Cinema Quebecois, edited by L. Carriere, Caroline Leaf et le Cinema d’Animation, Jacqueline Levitin, Montreal,
1983
Wide Angle Magazine vol 3, no 2, Sand, Beads, and Plasticine, Grant Munro, Baltimore, Maryland, 1979
Entretien Caroline Leaf Le bulletin d’ASIFA-Canada juin 1979
Print Magazine, Redefining Animation, John Canemaker, March/April 1979
Smiles in the Sand,
Ronald Blumer, Cinema Canada October 1976
Documentary interview for Illuminations TV and Channel 4 ‘Dope Sheet’, London, 1997
Handcrafted Cinema, 30 minute documentary, Erik Roberts director, National Film Board, ‘97
Love in the Cold, Caroline Leaf and Her Two Sisters, Four-mations Channel 4, London, ‘94
BOOKS
Le Grand Livre des Techniques du Cinéma d’Animation Olivier Cotte, Dunod Press, 2018
questions and answers in English original
Le Cinéma d’Animation en 100 films, sous la direction de Xavier Kawa-Topor et Philippe Moins, Capricci, 2016
Animation: A World History Giannalberto Bendazzi
Fluid Frames: experimental animation with Sand, Clay, Paint and Pixels, Corrie Francis Parks, 2015
Basics Animation 04 Stop Motion, Barry Purves, Ava Publishing, 2010
Cartoons: 100 Years of Animation, Gianalberto Bendazzi, John Libby and Co, 2006
Animation Unlimited: Innovative Short Films since 1940, editors Liz Faber & Helen Walters, publisher
Laurence King Publishing, 2004 p. 176-181
excerpt
Animation Now!, Anima Mundi and Julius Wiedemann, Taschen, 2004
SHORT CUTS: Animation: Genre and Authorship, Paul Wells, Wallflower pp. 101 – 111 excerpt
Understanding Animation, Paul Wells, Routledge, London and New York 1998
The animation book: a complete guide to animated filmmaking – from flip-books to sound cartoons to 3-D animation, Kit Laybourne,Three Rivers Press 1998
The Animation Book, Kit Laybourne, Crown Publishers Inc., New York, 1979
A Reader in Animation Studies, Jayne Pilling, John Libbey and Co, 1997
Women and Animation, a Compendium, Jayne Pilling, British Film Institute, 1993
Women Film Directors: An International Bio-Critical Dictionary, Audry Foster, Westport, Connecticut, 1995
The Encyclopedia of Animation Techniques, Richard Taylor, a Quarto Book, 1996
Animation a Guide to animated Film Techniques, Roger Noake, MacDonald Orbis, 1988
Animation 101, Ernest Pintoff, Michael Wiese Productions
Animated People in Photo, Namiki Takashi, Anido Film
Animation from Script to Screen, Shamus Culhane, New York, 1988
Masters of Animation, John Halas, Topsfield, Mass, 1987
Experimental Animation, Robert Russel & Cecile Starr, Van Nostrand Reinhold Co., 1979
FILM EXHIBITS
The Owl Who Married a Goose is included in
Watch Me Move Exhibition,
Barbican Centre, London, 2011. The show subsequently is on tour worldwide.
TWO SISTERS included in SPACETRICKS/TRICKAUM at the Museum fur Gestaltung, Zurich, 2005: continuing to James Hockey Gallery,
Surrey Institute of Art and Design, Farnham, England, from February 2006.
Sand animation permanent and travelling exhibition National Film Board of Canada, Montreal
70mm etch-in-film technique and paint-on-glass
Private collection, California 70mm etch-in-film frames from ‘Entre Deux Soeurs’
Permanent collection of MOMI Museum of the Moving Image, South Bank, London, England
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